The “I Spent More Time Thinking About This Than The Guys Who Made It” Review of “The Bridge”
Back in the late 1990s and the early part of 2000s, I had a part time job as a TV critic. It was an interesting thing, inasmuch as I made a few strange acquaintances, and I discovered that fans have a lot invested in their favorite shows. It started as a labor of — well, maybe not love, but certainly as an enjoyable hobby, but because my team and I started right around the point where things started to go downhill, it quickly turned into a weekly slogfest. Things got so bad at one point where I stopped reviewing actual episodes at all, and pre-emptively wrote my snide, acerbic commentary ahead of time. (“It probably sucked, so… fuckit” was our motto towards the end.) Inevitably, we drifted away from the project — it had become too much like work-work, rather than fun-work, and life’s too short to spend doing Internet projects that cause you agony.
This may be why I have a difficult time forming attachments to television these days, and why my TV watching is almost entirely opportunistic, save for a couple of UK shows that get stolen on a regular basis.
One of the best pieces of TV I’ve seen in the past couple of years was “Battlestar Galactica,” so when I learned that Chief TyrolAaron Douglas was going to be playing a Serpico-esque cop in a new CTV series, “The Bridge,” I naturally thought I should pay attention. The pilot episode was somewhat promising, and the premise itself certainly holds a lot of potential: cop plans to clean up the department, the city, and the world, at some considerable risk to his/her own life. Yeah!
Only, you know, not so much. I’ve now watched all 11 episodes that have run on CTV this spring, and I have some… issues… with the show.
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